[Warning: non-historian arguing about history, which is ever dangerous and sometimes awful. I will say in my defense that I’m drawing off the product of plenty of good historians alike Bryan Ward-Perkins and Angus Maddison whom I interpret as agreeing with me. And that the hoi polloi I am disagreeing with are not historians themselves, but other non-historians trying to interpret historians’ work in a popular way that I interpret as wrong.
Theater: A Holocaust Meta-History, in Paula Vogel’s Indecent
producers Tina Fey and Robert Carlock will executive-produce with writer mat Hubbard. Why we like it: The sharp, humourous fun turns a auger eye on gender social science as the quadruplet of newbies face the overwhelming horrors of... Plus: Feimster, a writer on , is a surprising effort as an openly gay party girl. Why it has a shot: With Fox declaring pilot season to be dead, the show already has a program commitment, meaning that there would be a sizable business enterprise penalty should Fox not pick it up.
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Though we’re not inclined to reprint press releases — because generally they are garbage — we’ll countenance this updated release from GLAAD, since we reported about what Gay Inc. Let’s just put it this way: After seeing the film, GLAAD ain’t having it. (NB: As we’ve noted previously, gay rights organizations are inclined to hatred this film, patch gay media — and media in general — tend to support it. That “Bingo assault” plaintiff, who born her assault claims against Cohen and Universal Pictures, but still claims emotional distress.) Here’s a glimpse: The movie repeatedly builds entire scenes around stock stereotypes and situations that alter gay people and families the butt of crude jokes. I can’t help but think of all the teenage kids already getting bullied, beat up and ridiculed for being–or for being thought to be–gay..